Tuesday, 12 March 2013

FMP presentation



Presentation on the FMP proposal and pitch






The Proposal

FMP Proposal – Matt Howard
Review
When I began the course my aim was to work in radio, utilising my existing skills. However, by Christmas I felt that this had been achieved and was no longer a challenge, coupled with the possibility of progressing on to the media production degree I felt that I had to step out of my comfort zone and look at other mediums in order to develop new skills needed for progression. I took part in studio sessions with professional artists and engaged with a student led film production I soon found that I had other skills such as directing music shoots, vision mixing and post production editing. I have decided to utilise these new skills within my final project in an effort to develop them and to challenge myself.
Ideas and concept
As a practising UK. Pagan, I am aware of the negativity and prejudice that over the centuries (and still today) have surrounded the many followers of the various pathways that make up paganism. But with more and more people coming out of the "broom closet" in the UK, I decided to put together a documentary showing Paganism in it's true light as opposed to the popular misconceptions. I aim to film interviews, gatherings and festivals attended by practising Pagans to paint a true picture of what goes on within the Pagan community. By doing this I will be covering relatively new ground, although a small number of television and internet programmes have highlighted certain aspects of paganism these are mainly focused on the witchcraft element and are predominantly written by outsiders. My aim is to focus on what paganism means to the people who practice it.
Contextual research
Apart from a few home-made American films and one, four part documentary
there is very little material out there covering this subject and as far as I am aware paganism has never been filmed from the inside before therefore not only do I have direct access to the people and events I also believe that the community will be much more open about their beliefs and practices. My primary research comes from the fact that I am a practising pagan within the very community that I am filming.
Techniques and presentation
As far as the shooting style goes, I intend for it in the main to be very organic utilising two cameras and shooting the events as they happen much in a similar way to a group I worked with on a previous project. Stories of the world (The Burnley cotton mills) by social inclusion media company, REELmcr.   http://www.reelmcr.co.uk/. I believe that by doing this, the finished film will appear more natural and also more authentic. Of course the interviews will have to be more structured, some being studio based while where possible some will be done on location.
Evaluation and progression
The main process of evaluation will be the reviewing of footage and deciding what footage tells the story and gets the message across, by doing this I can then decide whether another interviewee needs to be sourced etc. Unfortunately with the project being time sensitive I am limited to what festivals and gatherings can be filmed as they too are time sensitive. All reviews will be presented on my blog.


The wheel of the year - a guide to the pagan year







The Four Seasons are known as Solar Festivals, in that they mark a seasonal change caused by the Sun. The cross quarter days are marked by Fire Festivals and are usually celebrated as significant agricultural festivals. Together the Solar Festivals and the Fire Festivals make up the Wheel Of The Year. The Wheel Of The Year, is often broken into eight festivals, whether they are the eight Asatru Blots, Seasonal Festivals or Celtic Sabbats, and the observance of Solar energies at the solstices and equinoxes and the Fire energies on the cross quarter days, is a common theme throughout the world.
The Festivals of the Wheel Of The Year also represent the active and dormant states of nature, man and agriculture. Each of the festival days was ruled by a governing deity, whether a God or Goddess, with each region having its own associated deity. From planting to reaping to winter to summer... the seasons were of great importance to our ancestors, for their very existence depended upon good harvests, mild winters, enough rainfall.
The Fire festivals:
Imbol    - Feb 2nd
Disablot/Imbolc/Candlemas.
This holiday is also known as Candlemas, or Brigid's (pronounced BREED) Day.
Beltane -  April 30th/May 1st
May Eve/Valpurgis/Cetsamhain/Roodmas/Shenn do Boaldyn/May Day
(Beltane derived from the Irish Gaelic "Bealtaine" or the Scottish Gaelic "Bealtuinn", meaning "Bel-fire", the fire of the Celtic god of light (Bel, Beli or Belinus).)
Lughnasa - , July 31st/Aug 1st
Frey Fest/Lughnasa/Lugnasad/Lammas
Samhain - October 31
Winter Nights/Samhain/Feile Moingfinne/Halloween
(*Note: Samhain is pronounced sowen, soween, saw-win, saw-vane or sahven, not sam-hayne)
The Solar festivals
Winter Solstice - Yule - Dec 21st/22nd
(Yule from the Anglo-Saxon 'Yula', meaning 'wheel' of the year.)
Spring Equinox - Ostara - Mar 21st/22nd
Summer Solstice - Lithia - Midsummers Eve - June 21st/22nd
(Midsummer, Gathering Day, Summer Solstice, Alban Heffyn, Feill-Sheathain)
Autumn Equinox - Harvest - Mabon - Sept 21st/22nd
Gwyl canol Hydref or Mabon: (pronounced Ma-bon. Also known as Harvest Home, Harvest Tide, Fall Equinox, Autumn Equinox etc.)
(taken from http://www.thewhitegoddess.co.uk/the_wheel_of_the_year/the_wheel_of_the_year.asp)

Initial research

Over the past 12 months I have endeavoured to travel across the North West, attending different Pagan gatherings,meetings,rituals and events in order to experience a whole range of pathways and beliefs in order to look at what paganism is to many different people and to see what it brings to peoples lives. I have also used this process alongside social networking to make contacts within the community who may be interested in coming forward and taking part in the documentary or allowing us the opportunity to film various aspects of pagan life such as rituals,moots,gatherings,festivals and of course interviews. So far I have been relatively successful and have arranged interviewees, a film shoot at a local moot incorporating a meditation workshop, a fire-play performance,music from one of the highest regarded pagan folk musicians in the UK. the opportunity to film an open ritual and also filming access to a major pagan festival.

Speaking to several people has instilled in me the need for this documentary to be very organic in the making, apart from the interviews the filming is to be unscripted so as to show the reality of pagan practices and also as a matter of respect to be uninvasive to the people taking part.

Project overview

As a practising pagan in the UK. I am aware of the negativity and prejudice that over the centuries (and still today) have surrounded the many followers of the various pathways that make up paganism. But with more and more people coming out of the "broom closet" in the UK, I decided to put together a documentary showing Paganism in it's true light as opposed to the misconceptions of devil worship,virgin sacrifice and wild naked orgies. By focusing on practising pagans from my local community I aim to film interviews,gatherings,meetings and festivals to paint a true picture of what goes on within the Pagan community. By doing this I will be covering relatively new ground, although a small number of television and internet programmes have highlighted certain aspects of paganism these are mainly focused on the witchcraft element and secondly are written by outsiders looking in. My aim is to film this from within the community and to focus on what paganism means to the people who follow it's various paths and to present this as my final assessment project.

The video below shows the biased way in which paganism (and witchcraft in particular) has been shown by the media.

http://www.youtube.com/watch?v=wi9pZEhNQvQ


FMP Proposal

Review

When I began the course my aim was to work in radio, utilising my existing skills. However, by Christmas I felt that this had been achieved and was no longer a challenge, coupled with the possibility of progressing on to the media production degree I felt that I had to step out of my comfort zone and look at other mediums in order to develop new skills needed for progression. I took part in studio sessions with professional artists and engaged with a student led film production I soon found that I had other skills such as directing music shoots, vision mixing and post production editing. I have decided to utilise these new skills within my final project in an effort to develop them and to challenge myself.

Ideas and concept

As a practising UK. Pagan, I am aware of the negativity and prejudice that over the centuries (and still today) have surrounded the many followers of the various pathways that make up paganism. But with more and more people coming out of the "broom closet" in the UK, I decided to put together a documentary showing Paganism in it's true light as opposed to the popular misconceptions. I aim to film interviews, gatherings and festivals attended by practising Pagans to paint a true picture of what goes on within the Pagan community. By doing this I will be covering relatively new ground, although a small number of television and internet programmes have highlighted certain aspects of paganism these are mainly focused on the witchcraft element and are predominantly written by outsiders. My aim is to focus on what paganism means to the people who practice it.

Contextual research

Apart from a few home-made American films and one, four part documentary listed below, there is very little material out there covering this subject and as far as I am aware paganism has never been filmed from the inside before, therefore not only do I have direct access to the people and events, I also believe that the community will be much more open about their beliefs and practices. My primary research comes from the fact that I am a practising pagan within the very community that I am filming. The interviews and shoots will also provide vital primary research and will lead the way that the further shoots are filmed and will guide me as to the content that will be included in the final film.



Techniques and presentation

As far as the shooting style goes, I intend for it in the main to be very organic utilising two cameras and shooting the events as they happen much in a similar way to a group I worked with on a previous project. “Stories of the world (The Burnley cotton mills)” by social inclusion media company, REELmcr.   http://www.reelmcr.co.uk/. I believe that by doing this the finished film will appear more natural and also more authentic. Of course the interviews will have to be much more structured some being studio based while where possible some will be done on location.

Evaluation and progression

The main process of evaluation will be the reviewing of footage and deciding what footage tells the story and gets the message across, by doing this I can then decide whether another interviewee needs to be sourced or a further shoot is needed etc. Unfortunately with the project being time sensitive I am limited to what festivals and gatherings can be filmed as they too are time sensitive. Also by inviting members of the pagan community to the screening and by being involved in the peer critique process this will help to determine the level of success the film has achieved.